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Okay, Here's an interesting question: Is there such a thing as digital painting?
It's a long-lasting argument that a friend and I have been having for quite some time. I argue that the process of painting requires the inclusion of hand and tool, a medium that can be mixed to create different hues, and represented compositionally on a flat surface (with the possible exception of reliefs, but that borders on sculpture).
When I do my work, I'm using a wacom tablet, and use an electronic pen. I use Adobe Photoshop, which allows me to mix colors by placing one ontop of the other with the brush tool to create a different hue. Lastly, it's pretty obvious that a monitor displays a flat image, and Adobe Photoshop doesn't operate in terms of 3-D rendering. So, these all fit into my understanding of painting. I feel like when I'm making artwork on the computer, it feels a lot like I am in the process of painting, which would probably be most akin to gouache, airbrush and watercolor if I were using physical mediums.
She says that painting includes other elements; that it requires the physical hand-to-surface interaction, and the physical act of mixing pigments. Also, an oil, fresco or other tactile painting has a quality that digital work can never have, which is the interaction of the painting with its environment. IE, A painting displayed in a room with a set lighting surrounded by other paintings will have a different impression than a painting found in an attic, or just different lighting and different paintings around it.... or no paintings. Also, part of the experience of viewing a painting is being able to study it from up close, far away, side to side, acknowledging the tacticity of how the painting was done.
What's interesting is that I have to agree with the last point, to some degree; a picture of a painting doesn't have the same impact of seeing the physical painting. What I find interesting is that the physical manifestation of a digital piece- a high-resolution print out, for example- doesn't have the same impact as the original artwork on the computer screen it was done on. So, although seeing a picture of a physical painting on the internet doesn't have the impact of seeing it in person on a wall, seeing a picture of a digital work on the internet is actually closer to the original work than seeing its physical manifestation. However, does that mean that a painting needs to be a physical object, or that seeing an original digital painting just means seeing it displayed in an electronic format (computer monitor)?
Thoughts anyone?
Or am I just overthinking this? I think the issue is very important, because what I believe are digital paintings are becoming increasingly popular at increasing speed... the speed of technological growth that is. As we create new mediums, so artists develop new tastes and new styles, which ultimately decides the future of the art scene. Relevant, yes? No?
It's a long-lasting argument that a friend and I have been having for quite some time. I argue that the process of painting requires the inclusion of hand and tool, a medium that can be mixed to create different hues, and represented compositionally on a flat surface (with the possible exception of reliefs, but that borders on sculpture).
When I do my work, I'm using a wacom tablet, and use an electronic pen. I use Adobe Photoshop, which allows me to mix colors by placing one ontop of the other with the brush tool to create a different hue. Lastly, it's pretty obvious that a monitor displays a flat image, and Adobe Photoshop doesn't operate in terms of 3-D rendering. So, these all fit into my understanding of painting. I feel like when I'm making artwork on the computer, it feels a lot like I am in the process of painting, which would probably be most akin to gouache, airbrush and watercolor if I were using physical mediums.
She says that painting includes other elements; that it requires the physical hand-to-surface interaction, and the physical act of mixing pigments. Also, an oil, fresco or other tactile painting has a quality that digital work can never have, which is the interaction of the painting with its environment. IE, A painting displayed in a room with a set lighting surrounded by other paintings will have a different impression than a painting found in an attic, or just different lighting and different paintings around it.... or no paintings. Also, part of the experience of viewing a painting is being able to study it from up close, far away, side to side, acknowledging the tacticity of how the painting was done.
What's interesting is that I have to agree with the last point, to some degree; a picture of a painting doesn't have the same impact of seeing the physical painting. What I find interesting is that the physical manifestation of a digital piece- a high-resolution print out, for example- doesn't have the same impact as the original artwork on the computer screen it was done on. So, although seeing a picture of a physical painting on the internet doesn't have the impact of seeing it in person on a wall, seeing a picture of a digital work on the internet is actually closer to the original work than seeing its physical manifestation. However, does that mean that a painting needs to be a physical object, or that seeing an original digital painting just means seeing it displayed in an electronic format (computer monitor)?
Thoughts anyone?
Or am I just overthinking this? I think the issue is very important, because what I believe are digital paintings are becoming increasingly popular at increasing speed... the speed of technological growth that is. As we create new mediums, so artists develop new tastes and new styles, which ultimately decides the future of the art scene. Relevant, yes? No?
Hosting Online Classes!
Thaaat's right...
For the first time, I'll be hosting an online class on character design. I've been teaching at the Workshop Academy (Ran by Josh Kao of 343 Industries here in Seattle) on a local level, and it was been a rewarding and fun experience teaching what I know about character storytelling and drawing for the past two years. Now I'm giving it a go with an online version of the same class, starting at the end of September! Here are some details on what I'll be covering:
*10 week class*
Class: A breakdown of how to create compelling characters with intentional design. We will discuss the tools of telling stories with characters, as
Lightbox 2019
This is the first artist convention I've attended in years! I'm really excited to see old and new faces. If you're heading out there, holla!
PRINTS ARE OPEN
Thaaat's right! I finally did it. I've had requests for prints, and I finally opened a store so people can buy them. I'm starting promo on DeviantArt first, because I still feel like this is where my original peeps are at.
At the moment I have 3 prints available, check out my store on INPRNT! If you have any requests (and they aren't copyrighted by another company) I will try to get them up soon. Thank you for supporting my work all these years, I appreciate it.
>>>>>>>>>>>>> https://www.inprnt.com/gallery/gorrem/ <<<<<<<<<<<
Since DA folks are my peeps, I'm also doing
Freelance Life Vol II
hey Folks,
Last time I wrote here I was working on Spyro: Reignited trilogy, well now it's out and getting great reviews! It was a really amazing project to work on and the talented team I got to work with brought their A game. I'll upload some of the images here, but be sure to check out more on my instagram and tumblr pages:
https://www.instagram.com/gorrem
http://gorrem.tumblr.com/
I've also been working on some projects with Heroes of the Storm which I'll release later!
Happy Holidaysss
© 2003 - 2024 Gorrem
Comments6
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To reply to the above comment, good point. There are coloring processes that require a hand and tool that aren't really considered painting. Airbrushing is another example.
However, it's still hard for me to put digital coloring into a miscellaneous category, because most of the time it really does feel like painting more anything else.
However, it's still hard for me to put digital coloring into a miscellaneous category, because most of the time it really does feel like painting more anything else.